A glimpse into Kyomi Audio’s room: A customer wanted to hear the big CAT Statement monoblocks compared to the little JL5 stereo amp we had played all day. The JL5 is a stereo amp with triode design using 4 x KT120 per channel, it puts out 25W Class A or 100W Class AB and retails for $13k. The Statements are monoblocks using 16 x KT120 per chassis, with a 200W triode design, Class A and retails for $100k a pair.
The big guys did not disappoint as the micro dynamics were put in the spotlight. The tonal color was more dramatic and the sound-stage became huge and spacious; it sucked the listeners in to the musical event.
It was a packed room of music lovers who were willing to delay dinner to indulge in a religious experience. Feet tapping and lots of comments exchanged over the music played at realistic club levels. It had all the vibes of a happening.
Refreshments (wine, beer & Georgian brandy to be specific) finished but the roomful of audience stuck around for more. What does this tell you about this experience with an exceptional stereo? Continue reading →
I bought the DSD download of the Blues and the Abstract Truth album a couple of years ago and have been mesmerized by the all-time classic, “Stolen Moments”. Recorded over fifty years ago in 1961, this piece is a timeless beauty. Its indisputable beauty shines through in a three-part horn harmony fronting Freddie Hubbard’s lead trumpet melody.
At AXPONA, George Vatchnadze, Kyomi Audio, whipped out the 45RPM LP and spun “Hoedown” – which is quite different from the rest of the album in that it has a joyful, country flavour; I love the barking of the horns from the different speakers in a call & response. The music is infectious and makes the listener sit up & pay attention.
Blues and the Abstract Truth is Oliver Nelson’s triumph as a musician & composer for not only defining the sound of an era but also for assembling one of the most potent modern jazz sextets ever. Oliver Nelson, while a fine tenor sax player in his own right, is surrounded by extraordinary talent of Bill Evans (piano), Roy Haynes (drums), Eric Dolphy (flute & alto sax), Paul Chambers (bass) & Freddie Hubbard (trumpet).
Like Brubeck’s Time Out, Adderley’s Somethin’ Else and a handful of other jazz albums, Blues and the Abstract Truth will stand the test of time as one of the top dozen jazz albums from the fifties & sixties. Sound & Music quality – 10/10. Available on CD, SACD, LP or DSD download.